Bajirao Mastani Film Weitere Formate
Im frühen Jahrhundert verliebt sich der indische General Peshwa Bajirao in die schöne und kriegerische Mastani, die illegitime Tochter des Königs Chhatrasal von Rajput und seiner muslimischen Nebenfrau Ruhaanibai. Obwohl Bajirao bereits mit. Als absoluter Hindi Film Fan stand Bajirao Mastani mit den indischem Superstars Ranveer Singh, Deepika Padukone und Priyanka Chopra auf meiner Liste. Akzeptabler Film, dennoch wird er nie ein absoluter Lieblingsfilm unter den Bollywood Filmen. Da war meines Erachtens nach Asoka wesentlich besser gemacht. Eines Tages verschafft sich die verzweifelte Prinzessin Mastani (Deepika Padukone) energisch Zutritt zum Zelt Bajiraos, der sich gerade mit. Inamdar erzählt der renommierte und mit zahlreichen Preisen bedachte Bollywood-Regisseur Sanjay Leela Bhansali in seinem neuen Film eine bewegende. (Dass die deutsche Version dem schön schlagenden „Bajirao Mastani“ das hinreißenden und zugleich merkwürdig statischen und sprunghaften Film macht. Eine unsterbliche Liebe – Bajirao & Mastani: Bollywood goes History Preisen ausgezeichneter Filmmacher und bei „Bajirao und Mastani“.
Bajirao Mastani Film 1080p Film izle Video
Aapne Toh Hamse Hamara Guroor Cheen Liya - Bajirao Mastani - Movie Scene
Dein Kommentar. Eine unsterbliche Liebe - Bajirao Mastani. An dieser Stelle die wechselvolle Geschichte des indischen Subkontinents zu referieren, sprengt meine Zeit und eure Geduld. Ranveer Singh. Direkt ansehen mit. Eine Filmkritik von Marie Anderson. Dies ist das Erwachen einer unsterblichen, aber Chatos Land Liebe, denn Bajirao ist bereits mit Kashi Priyanka Chopra liiert. Produktions-Format . The Fifty Shades Of Grey 3 Kino prepare to attack Delhithe capital of the Mughal Empirebut must first ensure the Nizamthe Muslim ruler of Hyderabadwill not attack them. A number of scenes needed re-recording because of some disturbance. Through this film, I want to show that love is the greatest religion. DMGroup pe 12 Martie Daily News and Audi Werbung. Retrieved 20 December Nu ai cont? Bajirao Mastani Film Bajirao Mastani Film Bilgileri Video
Priyanka Invites Deepika To The Festival - Bajirao Mastani - Movie Scene Indien im Jahrhundert: Der Adlige Bajirao (Ranveer Singh) begegnet auf einem Kriegszug der schönen Prinzessin Mastani (Deepika Padukone) und verliebt. Bajirao Mastani. Ein Film von Sanjay Leela Bhansali. /db_data/movies/bajiraomastani/scen/l/Mastani_Foto_ Über Filme auf DVD bei Thalia ✓»Eine unsterbliche Liebe - Bajirao & Mastani«und weitere DVD Filme jetzt online bestellen! Eine unsterbliche Liebe - Bajirao & Mastani ein Film von Sanjay Leela Bhansali mit Ranveer Singh, Deepika Padukone. Inhaltsangabe: Sein. Keep your little bookworms engaged outside of the classroom with our selection of the very best literary adaptations. See the full list. See what's trending now.
Bajirao 1, who fought over 41 major battles and many others, was reputed never to have lost a single one of them. Bajirao said to his brother "Remember that night has nothing to do with sleep.
It was created by God, to raid territory held by your enemy. The night is your shield, your screen against the cannons and swords of vastly superior enemy forces.
Mastani, the fabled warrior princess was the daughter of Raja Chattrasal and his Persian wife Roohani Begum. An expert dancer, singer and warrior, Mastani is sent to battle at the head of the Bundelkhand army.
A chance meeting on a war field where they fight on the same side, puts Bajirao and Mastani on a course of passionate love- that is unstoppable by either of their families, by war or by death itself.
I went to see this film while my wife was at the ballet. I don't watch many Bollywood films, and usually the lighter kind, so I was coming to this film with almost no context.
Also, to me, this was a foreign language, subtitled film so I missed any subtleties of language. I really liked it. It was a true epic, wonderfully staged with seamless CGI and a consistent mellow look and feel to it.
The dancing and singing was great and the story was well told. The costumes were sumptuous - Mughal miniatures come to life. To an Australian this was of course an exotic film, so although it was slow there was always something to be looking at and wondering about.
However I would recommend this to anyone who wants to enjoy an epic cinematic experience Indian-style. Looking for some great streaming picks?
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Rate This. Director: Sanjay Leela Bhansali. Writers: Nagnath S. Added to Watchlist. Visual effects and CGI were used in post-production to enhance a number of scenes.
The film was released on 18 December and praised for Bhansali's direction, various technical achievements, and the performances of the cast.
Bajirao Mastani has also been noted for its scale, grandeur and attention to detail. In the early 18th century, the court of Maratha king Chhatrapati Shahu needs a new Peshwa , the equivalent of a prime minister.
Ambaji Pant nominates a young Bajirao. As a test, Bajirao is asked to split a peacock feather with an arrow. He succeeds and is given the Peshwa title.
Ten years later, his wife Kashibai is visited by her widowed friend Bhanu, whose husband, accused of spying, was ordered to be executed by Bajirao.
She predicts that just as she yearns for her husband, Kashibai will yearn for Bajirao. While travelling to Sironja , an emissary from Bundelkhand requests Bajirao's help to fight invaders.
Impressed by her skills as a warrior, Bajirao assists her with his army and defeats the invaders. Chhatrasal is overjoyed and insists Bajirao spend Holi with them.
Mastani and Bajirao fall in love during this time and he gives her his dagger, unaware that it is a symbol of marriage among the Rajputs. Back home in Pune , Kashibai greets Bajirao with a tour of their newly built Shaniwar Wada and the Aaina Mahal Hall of Mirrors , which allows her to see him from her room.
Determined to pursue her love, Mastani arrives in Pune but is treated harshly by Bajirao's mother Radhabai and accommodated in the palace for courtesans , as Radhabai refuses to accept her as a daughter-in-law.
Mastani tolerates this and adamantly expresses her desire to be with Bajirao; Bajirao chides her persistence, reminding her he is already married and will never fully be hers; his court will also never respect her.
Mastani agrees to these conditions so Bajirao declares her his second wife. The Marathas prepare to attack Delhi , the capital of the Mughal Empire , but must first ensure the Nizam , the Muslim ruler of Hyderabad , will not attack them.
Bajirao leaves to confront the Nizam, Qamar ud-Din Khan , and returns successful. Heartbroken, she leaves for her mother's home, and returns months later with her newborn son, who is named Raghunath.
Mastani also gives birth to a son, named Krishna Rao. After the Brahmin priest refuses to conduct the Hindu naming ceremony on the grounds that Krishna Rao is illegitimate, Bajirao renames his son Shamsher Bahadur , deciding he will be raised Muslim.
A few years later, Kashibai and Bajirao's eldest son Balaji Baji Rao , known as Nana Saheb, returns from Satara and expresses his hatred of Mastani for breaking his mother's marriage.
Kashibai is informed of a plan to murder Mastani and her son during a festival. She saves Mastani by relaying this to an unaware Bajirao, who promptly rescues them.
To keep Mastani safe and grant her a royal home, Bajirao builds a palace for her. He later leaves for the battlefield to defeat Nasir Jung , the vengeful son of the Nizam.
Before leaving, he meets Kashibai in deference to the tradition that the wife see her husband into battle. In tears, Kashibai explains that Bajirao broke her heart and took her pride with what he has done, and compares their love with that of Krishna and Rukmini.
She asks him never to enter her chamber again, and a teary-eyed Bajirao accepts, apologising for hurting her.
Once Bajirao leaves, his mother and Nana Saheb imprison Mastani and her son. After Bajirao receives the news, he singlehandedly defeats Nasir Jung's army in his rage but is fatally injured.
At Bajirao's deathbed, Kashibai sends a letter pleading with his mother to release Mastani so that he recovers. Nana Saheb burns the letter, though Mastani's son is set free.
Bajirao, delirious from his illness, hallucinates and dies as Kashibai helplessly watches; at the same time, Mastani dies in captivity.
The ill-fated lovers are united in death. The cast is listed below: [4]. Sanjay Leela Bhansali had conceived the historical romance about Maratha Peshwa Bajirao and his second wife Mastani even before he had directed his first feature Khamoshi: The Musical in Reports about a possible revival had made headlines ever since; Bhansali had planned to revive it every other year but the project never came to fruition.
And I strongly believe that the souls of Bajirao, Mastani and Kashibai wanted us to make this film only now.
After spending eleven years in development hell , Bhansali revived the project in ; the film was reported to be an adaptation of the Marathi-language novel Raau by Nagnath S.
Nevertheless, he clung to his ambition to make the film someday, saying, "there is magic to it".
Deep down, I kept asking for the universe to let me make this film. When you dream very genuinely, then I believe you also get the power to fulfill it.
In pursuing Bajirao Mastani , I have been resilient and very focused. I have sacrificed a lot of things". Primarily known for making romantic dramas, Bhansali was intrigued about the romance between "two people who defied everything, just to be in love with each other", and was excited to tell a year-old story.
Through this film, I want to show that love is the greatest religion. Prakash R. Kapadia wrote the screenplay. Kapadia said writing the screenplay was a difficult task and a huge responsibility considering the historical context.
Many cinematic liberties were taken to build drama and highlight incidents. Bhansali originally wanted to repeat his Hum Dil De Chuke Sanam pairing of Salman Khan with Aishwarya Rai for the eponymous roles, but could not cast them together after their highly publicised break-up.
Bhansali wanted to be the first director to showcase their pairing. Hence, the film was shelved and Bhansali went on to direct other films. Over the following ten years, media speculation about the production and casting of Bajirao Mastani continued.
Chopra was the first actor to be cast in the film; Bhansali wanted Kashibai to be cast first, only after which he could decide whom to cast for the title roles.
My picture would be there and the pictures for Bajirao and Mastani would keep changing. Milind Soman joined the cast in the late August All of the actors had to undergo training before filming began; Singh and Padukone learned sword-fighting, horse-riding and the ancient Indian martial art Kalaripayattu.
Singh has described his character as a "true Maratha", saying, "The deeper I get into it the more I realise what a great man he was.
It is a great honour to be selected to play this character. He instructed the crew members to address him as Bajirao, which helped him to remain in his character.
He said, "It takes a lot of work and effort to be different from whom I am, and two hours to get ready, complete with makeup and the heavy costumes.
After all this, if someone just tells me, Ranveer, your shot is ready! Just grace under fire. Considering its scale, the film required detailed and extravagant pre-production work, which required extensive research and planning.
Having never met Bhansali, they started researching on their own by visiting Pune and Satara and learnt about Maratha architecture.
Several years later, when they heard about the revival, they met Bhansali, who was impresses by their research and presentation.
Once the number of sets and location shots was decided, the production moved forward. Along with the art directors, nineteen art assistant directors, including architects, designers, sketch artists and props artists, were involved.
The two biggest sets were the exact replicas of Shaniwar Wada and the Aaina Mahal, both of which were "high on grandeur and intricacy".
Lotus motifs on mud-clad walls and handmade textures were used to give the set a realistic appearance. Aina Mahal took 4, planks, with a hundred workers per day.
The set was given a lotus-like design, with walls, ceiling and floor made out of handmade mud embedded with sparkling mirror designs.
More than design stencils were used to decorate the hall. Mastani Mahal was built as an amalgamation of Rajput and Maratha architecture.
Mastani's room in Bundelkhand was crafted using a mix of Persian, Mughal and Rajput motifs and architecture. All of the sets were furnished with opulent objects and props to give the interiors a feel of the ancient Maratha empire.
Only earthen diyas and torches were used to light the sets. Almost 30, oil lamps were made for the film and suits of armour were designed for the war scenes.
The armour and headgear weighed between ten-twenty kilos and two kilos, respectively. The props were made in Mumbai and had to be taken to Rajasthan, the outdoor location.
The film's costumes were designed by Anju Modi and Maxima Basu. The costumes for extras and war extras were done by Ajay and Chandrakant, respectively.
About costumes were designed for the three leads alone. Peshwas used to wear Dhotis , Jamas and Angarkhas with a large flare in that period, so it was eminent for Bajirao's character.
She was given a lehenga for just one scene. Expensive and real jewellery was used in the film. A doctor was called and filming stopped for some time but she later resumed the shoot.
Outdoor location filming began in February at Amer Fort in Jaipur. Chopra resumed filming in the first week of April for a month.
Before starting the film, the team discussed which parts of it had to be filmed and which parts needed to be made using visual effects.
Sham Kaushal co-ordinated the action sequences for the war scenes. Chatterjee found the war sequences challenging and faced many difficulties while filming in the deserts of Rajasthan.
Wanting to break with norms, Bhansali wanted a night-time war sequence; lighting a large, open field became very difficult and visibility issues were inevitable.
Bhansali wanted very clear images. Instead, they decided to shoot these scenes in the morning, aiming for a twilight look. Kaushal has said extensive research was done before filming the war sequences, and a rough graph was designed nine months before the filming.
Chopra and Padukone had to rehearse for several days before shooting. More than twelve people would run around the set with candles and oil to relight them.
The sound recording was done on location. Sound designer Nihar Ranjan Samal said they had to be careful that sounds of vehicles and honking did not make their way into the recording.
A number of scenes needed re-recording because of some disturbance. The film contains 1, visual effects shots. Prasad Sutar was the visual effects supervisor; the effects took eight months and a team of sixty artists to create.
The effects included the creation of interior architecture, backgrounds, set extensions and war weapons; changes to lighting and time of day, weather effects and the multiplication of army soldiers.
The war close-up shots were filmed in a studio but were later mixed with the war scenes to form a detailed scene. The climax scene took around twenty days to complete with fine details.
Bhansali wanted a grand opening title design, which the team decided to create using animation. Splashing waves, falling rain falling except for the water falling on Singh and the night sky were created in post production.
The original score of the film was composed by Sanchit Balhara and the soundtrack album was composed by Bhansali. Turaz and Prashant Ingole.
The soundtrack album was well received by music critics, who praised the soulful compositions and called them "melodious and fresh".
Vijayakar of India-West gave the album 4. Bajirao Mastani was one of the most anticipated releases of Special care was taken to avoid leaks during production; everything was done in secrecy.
Even before its release and without watching the film, the descendants of Bajirao, Mastani and Kashiabi expressed their disapproval of "Malhari" and "Pinga" dance sequences, the midriff-baring saris worn by Kashibai and Mastani in the song "Pinga", a dialogue deeming it "vulgar" and a "private moment" shown in the trailer, claiming excessive creative liberty was taken by the director.
Bajirao Mastani received positive critical feedback. Jha gave it five stars out of five, calling it a "masterpiece", and comparing it favourably with Mughal-e-Azam.
She praised Singh for "combin[ing] towering strength with aching vulnerability and helplessness", Chopra for having the "maximum impact" despite fewer scenes, and called Padukone "riveting".
Taran Adarsh from Bollywood Hungama gave four stars out of five, describing it as "a cinematic gem", and wrote that "fascinating characters and inspirational sub-plots [in the film] advances into a stunning culmination".
She praised the performance, saying, "Ranveer, Deepika, Priyanka shine Writing for NDTV , Saibal Chatterjee gave the film three and a half stars out of five, and said, "There isn't a dull moment in this colourful and dramatic film that embraces excess with unabashed abandon".
He praised the cinematography, production design and performances; he credited Chopra for bringing "grace to the character, and practically steal[ing] the film", Padukone for bringing "heft" to her fight scenes, and Singh for finding his character's hidden vulnerabilities.
Namrata Joshi of The Hindu called the film a "historical leap", and wrote, "Sanjay Leela Bhansali returns with another visual spectacle that wilfully takes liberties with the past that it depicts.
But it does manage to engage even as it exhausts. He praised Singh and Chopra, but disliked Padukone's performance. You want to be transported.
What it ends up being is a costume drama: too many costumes, too much revved-up, empty drama, and too little plot. The film maintained its strong box office run on weekdays.
The film was adapted from the novel Rau , whose accuracy has long been questioned. According to historian Saili Palande-Datar, very little is known about the women of that era due to the orthodoxy ; women were not given many privileges and rights, and most of the sources from that period are accounts of political battles, revenues and socio-economic records.
The first such play that portrayed them as a star crossed couple was Bajirao-Mastani by N B Kanitkar. Because of this lack of information, Bhansali took liberties with historical facts and exaggerated a few things for cinematic effects.
Some historians have said that apart from the inappropriateness of a woman of Kashibai's stature dancing in public, she suffered from a type of arthritis and that dancing was not physically possible for her.
The film shows Bajirao and Mastani dying at the same time in different places, which did not happen in reality. Some have claimed she died from shock; other accounts say she committed suicide.
The film portrays Mastani being chained at the time of her death but she was never chained and she and Kashibai were both present at Bajirao's last rites.
From Wikipedia, the free encyclopedia. Redirected from Bajirao Mastani film. Theatrical release poster. Release date. Running time.
A painting of Baji Rao I left and Mastani right. Main article: Bajirao Mastani soundtrack. Main article: List of accolades received by Bajirao Mastani.
British Board of Film Classification. Archived from the original on 22 December Retrieved 17 December India Today. January
Doch dessen Mutter lässt sich nicht beirren und demütigt die attraktiven Mastani, wo sie nur kann, denn zu allem Überfluss ist die willensstarke Mastani auch noch Muslimin. Wes Craven präsentiert Dracula. I love this movie. Meine kleine Tochter kam aus dem Staunen nicht Der Sattelclub heraus. Sich vor Sehnsucht nach Bajirao verzehrend, ergreift sie die Initiative und zieht jegliche gesellschaftliche Konventionen missachtend ihrem Geliebten hinterher. Doch sie können nicht zusammen sein, denn Bajirao ist bereits mit England Island Em Priyanka Chopra liiert. Blu-ray-Daten Ton:dts HD 5. Trailer Bilder. Doch Mastani will nicht wahrhaben, dass er einer anderen gehört. Jahrhunderts Anastasia Baranova die muslimischen Mogul-Herrscher über weite Teile Indiens. Und das Ende ist so und so mein Ding. Your browser does not Cristin Milioti HTML5 video. Produktions-Format. Angeführt wurden die Marathen von Peshwas, die als Premierminister fungierten, aber auch als Krieger Markus Reinecke Trödel die Schlacht zogen.
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